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Functions of Journalism

In early 1999, Gourav Jaswal conducted a session on the functions of journalism for the editorial team of Chip magazine. These are the raw notes I made during that class.

Functions of journalism:

  • Inform
  • Interpret
  • Mold opinion
  • Enable decision making
  • Agent of change
  • Entertain

Writing:

  • Reader Interest
  • Accuracy
  • Objectivity
  • Credibility
  • Readability
  • Significance
  • Clarity
  • Personality

Cause the reader to:

  • Stop
  • Be interested
  • Think
  • Learn
  • Understand
  • Enjoy
  • Remember
  • Discuss
  • Change

Points:

  • Know your reader. Agenda must be only based on reader interest.
  • What makes you stop? The Headline.
  • Immersion, Structure, Tone, Voice/Opinion, Character/Personality, Balance
  • Be unafraid of outrageous statements, but back them up with facts.
  • A magazine is a group of people interested in and knowledgeable about a subject, talking to a larger group of interested people.
  • The best magazines in the world: readers feel that they are written for only one person — themselves.
  • Make the reader think.
  • Preferably use real examples.
  • Use timelines where applicable. Content should be designed for browsers rather than readers.

Writing:

  • Think a lot for the lead.
  • Conclusion should be a tie-back, it should link back to the focus, giving a feeling of completion.
  • Stages: Information gathering, planning, writing, checking.
  • Objectives are determined by the limitations of space, the section/sub-section, and the reader profile. What is your objective?
  • Focus.
  • First thought on basic design elements.
  • Begin research. Discard research material when short of space.
  • Organise the text material and make a structure.
  • Identify the unusual, informative and entertaining in the text and put it into the appropriate form (boxes, main text, intro/close etc.
  • Finalise the elements.
  • Writing: Attribution (source, preferably creditable), identification, background.
    • Identification: elements, scenes, facts. Identify and bring out importance.
    • Background: a fact should be obvious to all, it should have meaning and importance for the generic reader.
    • Selecting and eliminating facts.
    • The lead.

Types of leads:

  • The 5W&H lead (what, who, where, when, why and how).
  • Blind lead. Partial info in the first sentence. Partial info in the second. The first is the attention grabber. The second is the less relevant.
  • Delayed identification lead (where facts are identified late).
  • Questioning lead. Maybe even rhetorical.
  • Quotation lead.
  • Emperative lead (ordering lead).
  • Direct address (combination of above two types).
  • Word play (play around with words).
  • Reference and allusion.
  • Simple provocative statement.
  • Stage directions (ex: 9:30 AM on a cold morning…, 9:45 AM…, describe scenario, not always related to time).
  • Narrative (plain, simple lead).
  • Anecdote (little interesting factual story).
  • Flashback.
  • Contrast lead (compare two).
  • Descriptive (close to narrative).
  • Chronology (very close to narrative but strongly based on time).
  • Ecletic (another way to say miscellaneous).

Creative writing:

  • Illustration: Verbal illustration of event.
  • Detail: More detail in less words. Detail should be consistent too.
  • Description: Describe things, short, tense, terse. Construction of sentences makes the difference.
  • Example: Real ones.
  • Anecdotes: Small little things, peppered around the article.
  • Quotes: Get (exclusive) quotes and dialogs into the article.
  • Literary Devices: Metaphors and similies.
  • Creative Closing: Similar to lead.

Numbers and figures:

  • Do not abuse these qualifiers.
  • Do not use incomprehensible numbes.
  • Do not make meaningless comparisons.
  • Do not extrapolate.
  • Explain the significance of those numbers.
  • Give meaningful analogies (important).

Sentences:

  • Each sentence should be very clear, such that it should cast a shadow.

Paragraphs:

  • One fact to a sentence, one idea to a paragraph. Change paragraph after every idea. Ideal length: 4-5 sentences.
  • Paragraphs are meant for writing rhythm. But the rhythm should be consistent.

Checking:

  • Watch out for:
    • Attitude (over enthusiastic)
    • Attribution.
    • Recheck names and figures.
    • Readability (sentence length should be usually maximum 30 words).
    • Complexity of facts in a sentence (if complex, break up).
    • Distortion (judgement should come with justification).
    • Editorializing (have balance and justification).
    • Elegant variation (frilly sentences for simple sentences ⇒ avoid this).
    • Definite words.
    • Check for: one fact to a sentence, one point to a paragraph.
    • Over-simplification and over-qualification.
    • Over philosophising.
    • Redundancy of sentences, repetition of ideas.
  • Read your own writing as a reader.
  • Look out for lead, structure and content.
  • Check for:
    • Spelling.
    • Bad language.
    • Americanisms.
    • Loose and colloquial language.
    • Inconsistency in structure and missing elements.
    • Hanging facts.
    • No explanation for new technical terms introduced for the first time.
    • Unsupported use of jargon and technical terms.
    • Unanswered questions.
    • Bad logic and obvious mistakes in explanation.
    • Word order in sentences.
    • Active voice as far as possible.
    • Appropriate use of adjectives.

Cutline (caption) should:

  • Explain what is portrayed.
  • Identify the elements in the accompanying picture.
  • Indicate implicitly or explicitly why the picture is being used.
  • Point out a detail that the reader may have overlooked.
  • Add information to the reader's knowledge.
  • Make the photo or screenshot clearer by explanation.

Headline should:

  • Primarily attract the reader.
  • Probably give some information.
  • Be bright and interesting: headline is best written when it makes the story focus well understood.
Last modified 2006-05-14 13:00
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